About Petrol Records
Janet Jackson Interview
Daft Punk Return With 'Musique Vol 1 1993-2005'!
The Magic Of Disney
Jesse McCartney Talks About His 'Beautiful Soul'
  


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About Petrol Records
Janet Jackson Interview
Daft Punk Return With 'Musique Vol ...
The Magic Of Disney
Jesse McCartney Talks About His ...
Yellowcard Back In Action!
The Band: A History Of Music Out ...
Up Close And Personal With Hilary ...
John Cale Talks Us Through His New ...
The Return of Liberty X!
The Raft Talks To Brooke Valentine
The Roll Deep interview
Wire Daisies Interviewed by Us!
Killing Joke's Jaz coleman Takes ...
A couple o' Kooks...
Deep Dish in Ibiza...
Turin Brakes interview
10 Unbelievable Years for Cream in ...
Raft Festival Guide 2005
It's all gone Pete Tong, or has ...
Chris Coco Remasters the ...
All hail...Micky Finn
Glastonbury (Mike and Emily Eavis) ...
The Best Gigs......Ever!
The Real Slim Shaky!
Glasto 2004 - Read the Raft review ...
Just Don't Ask 'Em What Their ...
We Caught Up with Kelis Down St ...
D Debates the New Massive DVD
JB and Nicolas Reveal 10,000Hz ...
A New Janet Delivers Us a New Album
BRMC - Salvation or Sinners????
Cracking the Truth About ...
Natasha and Liz Look Back on The ...
The Memory of Aaliyah
The Future's Bright The Future's ...
Agent Sumo Interview
As If Soundtrack - Music For ...
Black Rebel Motorcycle Club's Van ...
Canadian Music Trio Bran Van 3000 ...
Cortizone Discuss Nu-Metal In All ...
Armstrong Returns with 'As If To ...
Conversing With D-Note Genius Matt ...
David Gray: A Century Ends
I Love 70's Soundtrack
Danny and Richard Talk Exclusively ...
Thank God It's Haven!!
I Love 90's Series Soundtrack
Twilo Time with the man Vasquez
Popgoss's Exclusive Glitter ...
Kissin Time Returns Marianne ...
The Best Of Tubular Bells With ...
Mr Dan Reveals All...
I.G Culture Flips The Script
Remixing Classics with Nicolas Of ...
Ozzfest: 2nd Stage
Photek Interview
Faith and Foundation From ...
Meet Techno's Own Kosmic Messenger ...
Tank Fill Us In On The World of R ...
Vex Red Breeze Through the UK Rock ...
Victoria Reviews 2001 and Gives Us ...
Emma Bunton's Live Webchat With ...
Music Forever With Immortal ...
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What's Up Manu?
Mobile Ringtones
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Marianne Talks Exclusively to The ...
Coming Over to My House?
Dimitri's A Night at the Playboy ...
Dimitri on the Blower
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Goldrush Interview
Yann Tierson Subconscious Talks to ...
Victoria Reveals All to Popgoss!
Gomez Got 21 Minutes to Kill
Agent Sumo Interview
The LOUD - Crescent Interview
Gomez Get Their Guns Out
Heron Gets the Jasper Stone ...
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Help Future Forests To Plant One ...
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All You Want Is Bellefire
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Joseph Arthur Comes to Town
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The Raft Lifts the Lid on ...
It's raw in the frontline.
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UB40 Present The Fathers Of Reggae!
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Blue txt chat - did you txt?
The David Guetta Factfile
Cassius are Blowing up Channelside!
 
KT Tunstall Tells Us The Secret to the Eye of the Telescope

So, the album that you have produced - "Eye to the Telescope" is somewhat different to the experience of seeing you play live. Was that an intentional thing you set out to do?

Not at all actually, and my experience of music has always been live. So, you know going into the studio and making an album was just a completely virgin experience. It was almost the vehicle to be able to go out and play seven nights a week. And after the album, and you know while we were making it and after it was done, I suddenly went 'oh my god this is a thing!'

This is actually really important.. it sounds ridiculous saying it 'coz of course it's important but you know I assumed that you could do that, that you could just take your live sound and stick it on record and you can't. A CD and an album is gonna be a different experience 'coz your sitting in a room with no visual stimulus only using your ears. I think it's quite good to have a separation actually. 

In a studio you've got opportunity to really explore a lot different avenues with the sound and it gets away with being a lot more complex. Whereas on stage I've come to believe that playing live is much more about picking out the really important parts and absolutely doing away with everything else, and just putting on the simplest show possible. I wouldn't be surprised if I start taking that back in the studio actually. Because I  subscribe to the boot and the cardboard box theory - if that's the sound that you want then hit a box with a boot and don't use twenty thousand pounds worth of equipment to make a kick drum sound like it!

How would you describe your live show?

It's a four piece band and its myself on lead guitar and lead vocals- obviously! I haven't got a hidden person beneath the stage doing the singing! The bass player also plays a bit of cello and  a keyboard player who also plays a bit of cheeky trumpet and a drummer and percussion player. There's a lot of hand clapping and its just kind of raucous, very vibey.

Tell us a little bit about when you were making the record itself 'coz you worked with some very high-profile people like Steve Osborne...

It didn't really feel like that for some reason... in a weird way it all felt quite normal. I don't mean to belittle it in anyway cause it's been an amazing experience but it's never felt overwhelming, you know, it's what I've spent the best part of a decade trying to get to and when you spent that long trying to get there, it ceases to become an incredibly exciting novel thing you know......

You're not just constantly going 'YIPPEE THIS IS GREAT!!' Because you've invested so much energy into getting to a certain point. I felt quite sincere about the whole thing and saying, 'right I've got that' and 'I've got that' and now we really need to do this.... and maybe it's a mechanism to just not get too mental. Haaa!If I did I'd just go out and make a mess of myself.

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 Protection - we do a lot of it these days. Sun cream for our skin, sunglasses for our eyes, condoms for you know where - but do you remember to protect your hearing?

Click to find all the information you need to look after your hearing now so you can enjoy music for years to come



 The Raft has discovered The CarbonNeutral Company

They help business, government and individuals to tackle their contribution to climate change. In addition to forestry projects, their work includes carbon emissions reduction, renewable energy and biomass schemes, as well as carbon management and risk consulting

And that can't be a bad thing...







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